研究者基本情報

氏名

• 氏名

  Atsushi MIURA

ホームページ・researchmap等のリンク

• ホームページ・researchmap等のリンク

  ホームページのリンク

所属・職名

• Department of Philosophy, Professor

学位

• 17 Jan. 1997, 博士（美術史・考古学）, パリ第4大学

職歴

• 2009, 2011

本学就任年月日

• 01 Oct. 2024

研究活動

論文

• 25 Apr. 2019
• 30 Apr. 2020
• 02 Jul. 2021
• 29 Jan. 2025
• Jan. 2018
• Sep. 2019
• Sep. 2020
• Sep. 2020
• Jan. 2021
• May 2021
• Sep. 2022
• Nov. 2022
• 14 Apr. 2023
• 12 Sep. 2022
• Sep. 2024
• 01 Jul. 2025

Misc

• Reception as selective assimilation: what French painting brought to modern Japanese Western-style painting, Bijutsu forum 21, 23, 36, 41, 2011
• In lieu of a foreword: Modern French paintings and legends of artists, 三浦 篤, Studies in western art, 13, 8, 17, 2007, 三元社
• 35, 9, 57, 62, Sep. 2006
• 11, 50, 65, 2004
• 32, 8, 1, 19, Aug. 2003
• 9, 4, 7, 2003
• 9, 8, 21, 2003
• 9, 101, 125, 2003
• 9, 199, 209, 2003
• 7, 90, 107, 2002
• 5, 93, 102, 2001
• 6, 110, 139, 2001
• 29, 1, 24, 29, Jan. 2000
• 3, 8, 33, 2000
• 3, 165, 170, 2000
• 1, 101, 124, 1999
• 2, 111, 129, 1999

著書等出版物

• 01 Nov. 2013
• 27 Feb. 2017
• 26 Apr. 2021
• 23 Nov. 2024
• 03 Dec. 2012
• 31 Mar. 2015
• 01 Dec. 2016
• 19 Oct. 2018
• 10 Mar. 2021
• 27 Mar. 2024
• 15 Jun. 2025
• ヴィーナス・メタモルフォーシス―国立西洋美術館『ウルビーノのヴィーナス展』講演録, 浦 一章; 三浦 篤; 渡辺 晋輔; 芳賀 京子, 三元社, Oct. 2010
• 美術論集 (ゾラ・セレクション), 三浦 篤; 藤原 貞朗, 藤原書店, 16 Jul. 2010
• 2010
• 2009
• 2009
• 2007
• 2007
• 近代芸術家の表象―マネ、ファンタン=ラトゥールと1860年代のフランス絵画, 三浦 篤, 東京大学出版会, Sep. 2006
• レプリカ―真似るは学ぶ (INAX BOOKLET), 三浦篤; 小島道裕; 木下直之; 中島誠之助; 住友和子編集室; 村松寿満子, INAX出版, 15 Mar. 2006
• 2006
• ゴッホはなぜゴッホになったか―芸術の社会学的考察, 三浦 篤, 藤原書店, 01 Mar. 2005
• 2005
• クールベ (岩波 世界の美術), 三浦 篤, 岩波書店, 25 Nov. 2004
• 印象派の歴史, 三浦 篤; 坂上 桂子, 角川学芸出版, Nov. 2004
• 2004
• 自画像の美術史, 三浦篤編; 三浦 篤, 東京大学出版会, Mar. 2003
• 2003
• 「語りえぬもの」からの問いかけ―東大駒場「哲学・宗教・芸術」連続講義, 宮本 久雄; 甚野 尚志; 三浦 篤; 野矢 茂樹; 沼野 充義; 高橋 哲哉; 杉田 英明; 岡部 雄三; 今橋 映子; 門脇 俊介; 竹内 信夫, 講談社, Mar. 2002
• まなざしのレッスン〈1〉西洋伝統絵画 (Liberal arts), 三浦 篤, 東京大学出版会, Apr. 2001
• 2000
• 1999
• マネ (アート・ライブラリー), 三浦 篤; 田村 義也, 西村書店, Jan. 1999
• 西洋美術史ハンドブック (Handbook of fine art), 高階秀爾; 三浦篤編; 高階 秀爾; 三浦 篤, 新書館, Jun. 1997
• 1995
• 1995
• ゴッホ, 三浦 篤; 渡部 葉子, 中央公論社, Feb. 1991

受賞

• 29 Apr. 2023
• 15 Mar. 2022
• 06 Mar. 2022

競争的資金

• 20KK0002
• 19K00170, Japan Society for the Promotion of Science, Grants-in-Aid for Scientific Research, Studies on Henri Fantin-Latour, from the point of view of artistic exchanges
• 15K02133, Japan Society for the Promotion of Science, Grants-in-Aid for Scientific Research, Mane's Painting and Censorship -Politics, Society, Art System-, We comprehensively researched and considered Mane's paintings and censorship from the perspective of politics, society, and the art system. As a result, it turned out that Manet took up the political subject from a position critical to Second Empire, expressed it in an implicit manner, and was censored. It also became clear that actively working on the themes of nudes and prostitutes, he was also criticized for making problematic female representations which caused scandals and accusations, and treating the image of Christ who should be holy with the eyes of a realist.
• 24520100, Japan Society for the Promotion of Science, Grants-in-Aid for Scientific Research, Manet and the Painters of Post-Realism, I approached the French painting of the 1860s from the perspective of "post-realism" after Courbet, and considered comprehensively the aesthetics and plastic techniques that are common to five painters: Manet, Fantin-Latour, Degas, Legros and Whistler. As a result, emerged the characteristicns as awareness of the pictorial framework and cutting of works, assemblage of images, insertion of pictures and mirrors in paintings, usage of different "matieres", etc. It is just in France of the 1860s that the phenomenon to be referred as "genesis of modern tableau" appeared in history of Western painting. Manet and "post-realists" took on this role.
• 21520094, Japan Society for the Promotion of Science, Grants-in-Aid for Scientific Research, Studies in Edouard Manet - From the viewpoint of criticism and reception, I made research on the criticism of the major paintings of Manet and analyzed aspects of their reception. Five works treated are "Luncheon on the Grass", "Olympia", "Portrait of Emile Zola", "A Bar of the Folies-Bergere", "Railroad". The critical reactions on these works reveal how they deviated from aesthetic criteria of the era on the levels of treatment of subject, style and technique. Essentially, ambiguity or polysemy in Manet’s paintings put the comprehensions of spectators into confusion.

  関連URL
• 17320024, Ministry of Education, Culture, Sports, Science and Technology, Grants-in-Aid for Scientific Research(基盤研究(B)), Studies in the artistic relations between France and Japan-Japonism, Collin, Japanese modern painting, This research clarified the artistic interrelations between France and Japan in the late 19^ century from three points of view. First, we investigated the Japonisme not in the Impressionists, but in the academic Salon painters as Firmin-Girard, who were interested in the exoticism represented by Japanese subjects. This attitude is considered as a prolongation of Orientalism in the painting of the 19^ century. We also indicate the relationship with Japonisme of this period in allegorical figure of Asia, script in pictures, and French ceramics. Secondly, Raphael Collin, one of the rep...

  関連URL
• 15202007, Ministry of Education, Culture, Sports, Science and Technology, Grants-in-Aid for Scientific Research(基盤研究(A)), Familialization and Defamilalization of Foreign Cultures in the Modern History of East Asia, The research project was originally inaugurated by Professor Ohsawa Yoshihiro (Graduate School of Arts and Sciences, University of Tokyo), who passed away unexpectedly in March, 2005. In April, 2005, Sugita Hideaki assumed the leadership and continued our project, which, despite our efforts, suffered certain delay in our initial schedule. However, the Initial Objectives of our project was almost completed within the designated term.The International symposia held for the projects are as follows :Japan-Taiwan Symposium on Familialization and Defamilalization of Foreign Cultures, January 10, ...

  関連URL
• 14310211, Ministry of Education, Culture, Sports, Science and Technology, Grants-in-Aid for Scientific Research(基盤研究(B)), Transformations of cities and literature/art under the French Second Empire, This research project, started in 2002, aims to make clear the relations between the reconstruction of Paris in the 19th century and French cultures, especially literature and fine arts under the French Second Empire (1852-1870).Its first result is the international symposium : "Lautreamont----from Romanticism to modernity" (4th-6th October 2002), organized by the Department of Area Studies, the University of Tokyo. Thirty-four researchers from nine countries participated in this symposium in order to analyze the works of this French poet from various points of view. In particular, we tried...

  関連URL
• 14510074, Ministry of Education, Culture, Sports, Science and Technology, Grants-in-Aid for Scientific Research(基盤研究(C)), The Representation of Artist in French Painting of the Second Empire, I approached the problem of representation of artist in the Second Empire from four points of views : (1)Hommage and manifest, (2)Artist of Bohemian type, Portrait, (4)Atelier.For (1),I made an intensive research on "Hommage a Delacroix"(1864) and "Toast (Hommage a la verite)"(1865) by Fantin-Latour, and analysed the characteristics as group portrait of artists from two aspects : subject and style. Aesthetic manifests could be realised thouruogh the themes of hommage to the painter Delacroix and to the allegorical figure of Truth. For (2),I took up "Le, cabaret de la Mere Antnony"(1866) by ...

  関連URL
• 13410019, Ministry of Education, Culture, Sports, Science and Technology, Grants-in-Aid for Scientific Research(基盤研究(B)), Describing Cities : Comparative Study on Medieval and Early Modern Painting, A number of typical cityscapes in Japanese, Chinese and European paintings have been investigated and discussed to clarify the way the cities were visualized. A list of the all theses and books concerned is included in the Report of Research Project. The summary of the theses published in that report is as follows ; the head investigator SATO Yasuhiro wrote three theses. First, "Incidents in the Capital Kyoto : Scroll of Annual Function, Scroll of Courtier Ban Dainagon, Scroll of Deseases and Deformities" demonstrates that the representation of Kyoto in these scrolls reflects the fear and a...

  関連URL
• 11410016, Ministry of Education, Culture, Sports, Science and Technology, Grants-in-Aid for Scientific Research(基盤研究(B)), A COMPREHENSIVE STUDY OF THE SIGNIFICANCE OF ARTISTS'S TRAVELS IN THE DEVELOPMENT OF ART, On December 4th, 2001, Professor Mari Pietroglovanna of the University of Padua gave a lecture entitled "An Italian Journey: Northern Painters traveling in Rome and Venice in the second half of the XVI Century" as a part of our research project at the University of Tokyo. On that occasion a meeting was held to discuss the results of the research each participant had undertaken for the past three years. At the same time an outline for the finale research report was drawn up and its contents determined.Accordingly, in the research report Professor Yamashita writes about Hasegawa Tohaku with p...

  関連URL
• 05710030

  関連URL
• JP23K00171, Expansion and Deepening of Research on the History of Art Exchange between Japan and France
• JP20KK0002
• 19K00170, Studies on Henri Fantin-Latour, from the point of view of artistic exchanges, Henri Fantin-Latour, French painter of the late 19th century, was revisited from the perspective of artistic exchange. The art of Fantin-Latour, which had exchanges with British and German artists and contacts with literary figures and musicians, has the characteristic of traversing different regions and cultures and crossing borders between different art genres. By investigating his international friendships and focusing on two aspects in particular, "his　flower paintings and England", "his paintings and German music", and by analyzing specific works and documents (correspondence etc.), we were able to clarify the cosmopolitan and comparative artistic character of Fantin-Latour's paintings, which crossed over regions and genres.
• 15K02133, Mane's Painting and Censorship -Politics, Society, Art System-, We comprehensively researched and considered Mane's paintings and censorship from the perspective of politics, society, and the art system. As a result, it turned out that Manet took up the political subject from a position critical to Second Empire, expressed it in an implicit manner, and was censored. It also became clear that actively working on the themes of nudes and prostitutes, he was also criticized for making problematic female representations which caused scandals and accusations, and treating the image of Christ who should be holy with the eyes of a realist.
• 24520100, Manet and the Painters of Post-Realism, I approached the French painting of the 1860s from the perspective of "post-realism" after Courbet, and considered comprehensively the aesthetics and plastic techniques that are common to five painters: Manet, Fantin-Latour, Degas, Legros and Whistler. As a result, emerged the characteristicns as awareness of the pictorial framework and cutting of works, assemblage of images, insertion of pictures and mirrors in paintings, usage of different "matieres", etc. It is just in France of the 1860s that the phenomenon to be referred as "genesis of modern tableau" appeared in history of Western painting. Manet and "post-realists" took on this role.
• 21520094, Studies in Edouard Manet - From the viewpoint of criticism and reception, I made research on the criticism of the major paintings of Manet and analyzed aspects of their reception. Five works treated are "Luncheon on the Grass", "Olympia", "Portrait of Emile Zola", "A Bar of the Folies-Bergere", "Railroad". The critical reactions on these works reveal how they deviated from aesthetic criteria of the era on the levels of treatment of subject, style and technique. Essentially, ambiguity or polysemy in Manet’s paintings put the comprehensions of spectators into confusion.
• 17320024, Studies in the artistic relations between France and Japan-Japonism, Collin, Japanese modern painting, This research clarified the artistic interrelations between France and Japan in the late 19^ century from three points of view. First, we investigated the Japonisme not in the Impressionists, but in the academic Salon painters as Firmin-Girard, who were interested in the exoticism represented by Japanese subjects. This attitude is considered as a prolongation of Orientalism in the painting of the 19^ century. We also indicate the relationship with Japonisme of this period in allegorical figure of Asia, script in pictures, and French ceramics. Secondly, Raphael Collin, one of the representatives of academic Salon painters, was studied in his collection of Japanese Art and in his education of Japanese pupils. Our analysis revealed that the Japonisme of Collin is not of exoticism, nor formative one like that of Impressionism, but the essential Japonisme based on the aesthetic sympathy with Japanese art like Harunobu, Korin or ceramics for tea ceremony. In this sense, it was not a coincidence that Collin received many Japanese pupils in his atelier. In the third, we researched the modes of reception of French academic paintings in Japanese students in Paris. Yamamoto Hosui, Kuroda Seiki and others assimilated various styles of paintings as academism, classicism, naturalism, from French masters like Gerome, Bonnat, Collin, Puvis de Chavannes, Bastien-Lepage, and then came back to Japan to be forerunners of western style painting in their own country.;The investigation of these three themes, studied not separately but in their mutual relations, could make clear an important and dynamic aspect of the artistic interrelations between France and Japan in the late 19^ century.
• 15202007, Familialization and Defamilalization of Foreign Cultures in the Modern History of East Asia, The research project was originally inaugurated by Professor Ohsawa Yoshihiro (Graduate School of Arts and Sciences, University of Tokyo), who passed away unexpectedly in March, 2005. In April, 2005, Sugita Hideaki assumed the leadership and continued our project, which, despite our efforts, suffered certain delay in our initial schedule. However, the Initial Objectives of our project was almost completed within the designated term.;The International symposia held for the projects are as follows :;Japan-Taiwan Symposium on Familialization and Defamilalization of Foreign Cultures, January 10, 2004.;Japan-Korea Symposium on Formation of the Canon in the pre-modern Korean Literature : Familialization and Defamilalization of Foreign Cultures, January 10, 2004.;International Symposium : Lafcadio Hearn in the International Perspectives, September 25, 2004.;Japan-Korea Symposium on Familialization and Defamilalization of Foreign Culture, October 14, 2005.;Some of our investigators participated in the Asian Translation Conference given by SOAS of London University on May 19 through 21, 2004, and in the ICLA international Congress in Hong Kong on August 6 through 15, 2004. We organized six other conferences and lectures hosted by the Department of Comparative Literature and Culture.;Papers concerning the present project were published in various academic magazines, especially in the special issue of Studies of Comparative Literature.
• 14510074, The Representation of Artist in French Painting of the Second Empire, I approached the problem of representation of artist in the Second Empire from four points of views : (1)Hommage and manifest, (2)Artist of Bohemian type, Portrait, (4)Atelier.;For (1),I made an intensive research on "Hommage a Delacroix"(1864) and "Toast (Hommage a la verite)"(1865) by Fantin-Latour, and analysed the characteristics as group portrait of artists from two aspects : subject and style. Aesthetic manifests could be realised thouruogh the themes of hommage to the painter Delacroix and to the allegorical figure of Truth. For (2),I took up "Le, cabaret de la Mere Antnony"(1866) by Renoir and "L'Artiste" by Manet. I made an analysis on the work of Renoir as rural bohemian and that of Manet as civil one by survey of criticism and iconographical approach.;As for (3),I investigated self-portraits of painters, "Fantin-Latour et Oulevay" by Carolus Duran, and `"Portrait de Manet" by Fantin-Latour. In the former, the relationship with the paintings of Louvre Museum by point of sources was specified, and the latter was prouved to be the portrait reflecting an intransigent attitude of Manet to the academism. For the theme of(4),I treated "Atelier de la rue Condamine" by Bazille and "Un Atelier aux Batignolles" by Fantin-Latour Founding on the genealogy of the iconography of atelier in the Western painting, I compared the differences of characteristics of the two representation of atelier, particularly expression of intimate space and group portrait, fiction.;In this way, by discussing these four important problematics, I considered the meanings of representation of artist in French painting of the Second Empire, and made clear the significations in the contexte of western modern painting.
• 14310211, Transformations of cities and literature/art under the French Second Empire, This research project, started in 2002, aims to make clear the relations between the reconstruction of Paris in the 19th century and French cultures, especially literature and fine arts under the French Second Empire (1852-1870).;Its first result is the international symposium : "Lautreamont----from Romanticism to modernity" (4th-6th October 2002), organized by the Department of Area Studies, the University of Tokyo. Thirty-four researchers from nine countries participated in this symposium in order to analyze the works of this French poet from various points of view. In particular, we tried to focus on the transformation of Paris and its influence on Lautreamont's poetical creation. The report of this symposium was published in France in 2003 as a volume of 374 pages, to which Ishii and Tachibana contributed.;The second result of our research is the publication of "France and it's outside" (The University Press of Tokyo, 2004), directed by Ishii and Kudo. This volume contains twelve articles in divers fields (politics, sociology, history, anthropology, psychoanalysis and literature), including those of Ishii, Kudo and Suzuki. It principally aims to interrelate France and other European countries or French colonies.;We published the final report of our investigations in March 2006. All project members contributed to this work.
• 13410019, Describing Cities : Comparative Study on Medieval and Early Modern Painting, A number of typical cityscapes in Japanese, Chinese and European paintings have been investigated and discussed to clarify the way the cities were visualized. A list of the all theses and books concerned is included in the Report of Research Project. The summary of the theses published in that report is as follows ; the head investigator SATO Yasuhiro wrote three theses. First, "Incidents in the Capital Kyoto : Scroll of Annual Function, Scroll of Courtier Ban Dainagon, Scroll of Deseases and Deformities" demonstrates that the representation of Kyoto in these scrolls reflects the fear and anxiety of the retired Emperor Goshirakawa and of the noblemen around him and that these paintings are designed to ease their real uneasiness with visual image. SATO, "Ippen Hijiri-e, Some Problems of Rakuchurakugai zu" argues that the mode of representation of multiple human figures in Ippen Hijiri-e, modeled on that of scrolls of Heian period, modifies the latter by describing the masses irrelevant to the main subject to give the viewers a feeling of being present at the scenes depicted. It also surveys the cityscapes of Muromachi period and reconsiders several problems. SATO, "Real and Virtual City: Yosa Buson's Houses on a Snowy Night and Kobayashi Kiyochika's Kaiun Bridge" analyses the structure of "classical/ colloquial" seen in the late work drawing Kyoto by Buson and explains Kiyochika's print disproving the commonly-held opinion. Other three theses: MABUCHI Miho, "A Reconsideration on the Artist and Date of Rekihaku Otsu hon Rakuchurakugai zu ", ITAKURA Masaaki, "A Passage of History of Spring Festival on the River : Centered in Ming and Qing Periods", MIURA Atsushi, "Cities and Railways in Modern Painting" propose a new theory about each subject.
• 11410016, A COMPREHENSIVE STUDY OF THE SIGNIFICANCE OF ARTISTS'S TRAVELS IN THE DEVELOPMENT OF ART, On December 4th, 2001, Professor Mari Pietroglovanna of the University of Padua gave a lecture entitled "An Italian Journey: Northern Painters traveling in Rome and Venice in the second half of the XVI Century" as a part of our research project at the University of Tokyo. On that occasion a meeting was held to discuss the results of the research each participant had undertaken for the past three years. At the same time an outline for the finale research report was drawn up and its contents determined.;Accordingly, in the research report Professor Yamashita writes about Hasegawa Tohaku with particular reference to his vagabond life in the Noto region, while Professor Sato examines several works of art by Ito Jakuchu, on the basis of fieldwork undertaken by the two in the Noto region in 2000.;On the other hand, the head investigator provides an overview of the significance of artists travels from ancient Greek and Roman times through the first half of the XVI century ; in the process, he sheds light upon certain aspects of artistic travel, including its motives and goals and the differing modes of transportation and lifestyles while on the road, in order to provide a tentative typology of artistic travel. Professor Akiyama writes about the mobility of artists between Italy and German countries around 1500 with a particular contribution concerning the Venetian painter Jacopo de Barbari. Professor Nakamura addresses a trip to Spain undertaken by Rubens, entrusted with a diplomatic mission, in 1603. Finally, Professor Miura describes the stay at the Villa Medici in Rome of young French artists who were winners of the Roman Prize in the XIX century. To the report will also be appended relevant materials concerning Velazques two trips to Rome, and the El cuaderno italiano (1770-1786) held and drawn by Goya.
• 05710030