研究者基本情報

氏名

• 氏名

  Atsushi MIURA

ホームページ・researchmap等のリンク

• ホームページ・researchmap等のリンク

  ホームページのリンク

所属・職名

• Department of Philosophy, Professor

学位

• 17 Jan. 1997, 博士（美術史・考古学）, パリ第4大学

職歴

• 2009, 2011

本学就任年月日

• 01 Oct. 2024

研究活動

論文

• 01 Jul. 2025

Misc

• Reception as selective assimilation: what French painting brought to modern Japanese Western-style painting, Bijutsu forum 21, 23, 36, 41, 2011
• In lieu of a foreword: Modern French paintings and legends of artists, 三浦 篤, Studies in western art, 13, 8, 17, 2007, 三元社
• 35, 9, 57, 62, Sep. 2006
• 11, 50, 65, 2004
• 32, 8, 1, 19, Aug. 2003
• 9, 4, 7, 2003
• 9, 8, 21, 2003
• 9, 101, 125, 2003
• 9, 199, 209, 2003
• 7, 90, 107, 2002
• 5, 93, 102, 2001
• 6, 110, 139, 2001
• 29, 1, 24, 29, Jan. 2000
• 3, 8, 33, 2000
• 3, 165, 170, 2000
• 1, 101, 124, 1999
• 2, 111, 129, 1999

著書等出版物

• ヴィーナス・メタモルフォーシス―国立西洋美術館『ウルビーノのヴィーナス展』講演録, 浦 一章; 三浦 篤; 渡辺 晋輔; 芳賀 京子, 三元社, Oct. 2010
• 美術論集 (ゾラ・セレクション), 三浦 篤; 藤原 貞朗, 藤原書店, 16 Jul. 2010
• 2010
• 2009
• 2009
• 2007
• 2007
• 近代芸術家の表象―マネ、ファンタン=ラトゥールと1860年代のフランス絵画, 三浦 篤, 東京大学出版会, Sep. 2006
• レプリカ―真似るは学ぶ (INAX BOOKLET), 三浦篤; 小島道裕; 木下直之; 中島誠之助; 住友和子編集室; 村松寿満子, INAX出版, 15 Mar. 2006
• 2006
• ゴッホはなぜゴッホになったか―芸術の社会学的考察, 三浦 篤, 藤原書店, 01 Mar. 2005
• 2005
• クールベ (岩波 世界の美術), 三浦 篤, 岩波書店, 25 Nov. 2004
• 印象派の歴史, 三浦 篤; 坂上 桂子, 角川学芸出版, Nov. 2004
• 2004
• 自画像の美術史, 三浦篤編; 三浦 篤, 東京大学出版会, Mar. 2003
• 2003
• 「語りえぬもの」からの問いかけ―東大駒場「哲学・宗教・芸術」連続講義, 宮本 久雄; 甚野 尚志; 三浦 篤; 野矢 茂樹; 沼野 充義; 高橋 哲哉; 杉田 英明; 岡部 雄三; 今橋 映子; 門脇 俊介; 竹内 信夫, 講談社, Mar. 2002
• まなざしのレッスン〈1〉西洋伝統絵画 (Liberal arts), 三浦 篤, 東京大学出版会, Apr. 2001
• 2000
• 1999
• マネ (アート・ライブラリー), 三浦 篤; 田村 義也, 西村書店, Jan. 1999
• 西洋美術史ハンドブック (Handbook of fine art), 高階秀爾; 三浦篤編; 高階 秀爾; 三浦 篤, 新書館, Jun. 1997
• 1995
• 1995
• ゴッホ, 三浦 篤; 渡部 葉子, 中央公論社, Feb. 1991

競争的資金

• 20KK0002
• 19K00170, Japan Society for the Promotion of Science, Grants-in-Aid for Scientific Research, Studies on Henri Fantin-Latour, from the point of view of artistic exchanges
• 15K02133, Japan Society for the Promotion of Science, Grants-in-Aid for Scientific Research, Mane's Painting and Censorship -Politics, Society, Art System-, We comprehensively researched and considered Mane's paintings and censorship from the perspective of politics, society, and the art system. As a result, it turned out that Manet took up the political subject from a position critical to Second Empire, expressed it in an implicit manner, and was censored. It also became clear that actively working on the themes of nudes and prostitutes, he was also criticized for making problematic female representations which caused scandals and accusations, and treating the image of Christ who should be holy with the eyes of a realist.
• 24520100, Japan Society for the Promotion of Science, Grants-in-Aid for Scientific Research, Manet and the Painters of Post-Realism, I approached the French painting of the 1860s from the perspective of "post-realism" after Courbet, and considered comprehensively the aesthetics and plastic techniques that are common to five painters: Manet, Fantin-Latour, Degas, Legros and Whistler. As a result, emerged the characteristicns as awareness of the pictorial framework and cutting of works, assemblage of images, insertion of pictures and mirrors in paintings, usage of different "matieres", etc. It is just in France of the 1860s that the phenomenon to be referred as "genesis of modern tableau" appeared in history of Western painting. Manet and "post-realists" took on this role.
• 21520094, Japan Society for the Promotion of Science, Grants-in-Aid for Scientific Research, Studies in Edouard Manet - From the viewpoint of criticism and reception, I made research on the criticism of the major paintings of Manet and analyzed aspects of their reception. Five works treated are "Luncheon on the Grass", "Olympia", "Portrait of Emile Zola", "A Bar of the Folies-Bergere", "Railroad". The critical reactions on these works reveal how they deviated from aesthetic criteria of the era on the levels of treatment of subject, style and technique. Essentially, ambiguity or polysemy in Manet’s paintings put the comprehensions of spectators into confusion.

  関連URL
• 17320024, Ministry of Education, Culture, Sports, Science and Technology, Grants-in-Aid for Scientific Research(基盤研究(B)), Studies in the artistic relations between France and Japan-Japonism, Collin, Japanese modern painting, This research clarified the artistic interrelations between France and Japan in the late 19^ century from three points of view. First, we investigated the Japonisme not in the Impressionists, but in the academic Salon painters as Firmin-Girard, who were interested in the exoticism represented by Japanese subjects. This attitude is considered as a prolongation of Orientalism in the painting of the 19^ century. We also indicate the relationship with Japonisme of this period in allegorical figure of Asia, script in pictures, and French ceramics. Secondly, Raphael Collin, one of the rep...

  関連URL
• 15202007, Ministry of Education, Culture, Sports, Science and Technology, Grants-in-Aid for Scientific Research(基盤研究(A)), Familialization and Defamilalization of Foreign Cultures in the Modern History of East Asia, The research project was originally inaugurated by Professor Ohsawa Yoshihiro (Graduate School of Arts and Sciences, University of Tokyo), who passed away unexpectedly in March, 2005. In April, 2005, Sugita Hideaki assumed the leadership and continued our project, which, despite our efforts, suffered certain delay in our initial schedule. However, the Initial Objectives of our project was almost completed within the designated term.The International symposia held for the projects are as follows :Japan-Taiwan Symposium on Familialization and Defamilalization of Foreign Cultures, January 10, ...

  関連URL
• 14310211, Ministry of Education, Culture, Sports, Science and Technology, Grants-in-Aid for Scientific Research(基盤研究(B)), Transformations of cities and literature/art under the French Second Empire, This research project, started in 2002, aims to make clear the relations between the reconstruction of Paris in the 19th century and French cultures, especially literature and fine arts under the French Second Empire (1852-1870).Its first result is the international symposium : "Lautreamont----from Romanticism to modernity" (4th-6th October 2002), organized by the Department of Area Studies, the University of Tokyo. Thirty-four researchers from nine countries participated in this symposium in order to analyze the works of this French poet from various points of view. In particular, we tried...

  関連URL
• 14510074, Ministry of Education, Culture, Sports, Science and Technology, Grants-in-Aid for Scientific Research(基盤研究(C)), The Representation of Artist in French Painting of the Second Empire, I approached the problem of representation of artist in the Second Empire from four points of views : (1)Hommage and manifest, (2)Artist of Bohemian type, Portrait, (4)Atelier.For (1),I made an intensive research on "Hommage a Delacroix"(1864) and "Toast (Hommage a la verite)"(1865) by Fantin-Latour, and analysed the characteristics as group portrait of artists from two aspects : subject and style. Aesthetic manifests could be realised thouruogh the themes of hommage to the painter Delacroix and to the allegorical figure of Truth. For (2),I took up "Le, cabaret de la Mere Antnony"(1866) by ...

  関連URL
• 13410019, Ministry of Education, Culture, Sports, Science and Technology, Grants-in-Aid for Scientific Research(基盤研究(B)), Describing Cities : Comparative Study on Medieval and Early Modern Painting, A number of typical cityscapes in Japanese, Chinese and European paintings have been investigated and discussed to clarify the way the cities were visualized. A list of the all theses and books concerned is included in the Report of Research Project. The summary of the theses published in that report is as follows ; the head investigator SATO Yasuhiro wrote three theses. First, "Incidents in the Capital Kyoto : Scroll of Annual Function, Scroll of Courtier Ban Dainagon, Scroll of Deseases and Deformities" demonstrates that the representation of Kyoto in these scrolls reflects the fear and a...

  関連URL
• 11410016, Ministry of Education, Culture, Sports, Science and Technology, Grants-in-Aid for Scientific Research(基盤研究(B)), A COMPREHENSIVE STUDY OF THE SIGNIFICANCE OF ARTISTS'S TRAVELS IN THE DEVELOPMENT OF ART, On December 4th, 2001, Professor Mari Pietroglovanna of the University of Padua gave a lecture entitled "An Italian Journey: Northern Painters traveling in Rome and Venice in the second half of the XVI Century" as a part of our research project at the University of Tokyo. On that occasion a meeting was held to discuss the results of the research each participant had undertaken for the past three years. At the same time an outline for the finale research report was drawn up and its contents determined.Accordingly, in the research report Professor Yamashita writes about Hasegawa Tohaku with p...

  関連URL
• 05710030

  関連URL